![]() ![]() ![]() ![]() ![]() The current fame of Japanese cinema have been led by more movies created by several mass movie production companies such as Toei, Toho and Shochiku after the 1950s. The Akira Kurosawa’s Rashomon (1950) won the Golden Lion at the 12th Venice Film Festival, followed by the Kenji Mizoguchi’s The Life of Oharu (1952) which got the International Prize at the 13th Venice Film Festival Ugetsu (1953) and Sansho the Bailiff (1954) achieved the Silver Lion Award at the 14th and 15th Venice International Film Festival. Looking back on a long history of the cinema of Japan, its origin can be identified around the end of 19th century, when early short movies were originated by Japanese cinematographers incorporating the Thomas Edison’s Kinetoscope: for example, Bake Jizo and Shinin no sosei by Shiro Asano.ĭuring the 1950s, the Japanese movies that developed independently from the original style with the unique culture were establishing the international reputation through global film festivals. It is difficult to exactly define a Japanese movie, however, it includes films that are made by Japanese directors or actors, filmed in Japan, or composed of Japanese language if you make a broad definition. Japan has shown a significant presence in the global film industry for a long time even aside from the recent explosive success of Japanese animated movies. ![]()
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